Thirty five years after the end of the Vietnam war, we see the nation in not one, but two other unjustified and un-winnable wars, and the same stubbornness to "stay the course,"at the immeasurable price of human life and resources. © 2019 bethetravelist.com All rights reserved. It’s the kind of bold and uncompromising work that confirms why Bong is one of our most exciting auteurs, for how his sociocultural criticisms can be so biting, so pungent, when they’re imbued with such great focus and sense of intent. Finally, this three-disc set comes with a collectible booklet that includes a new essay by former Fangoria editor-in-chief Michael Gingold. Colors are brighter and more deeply saturated, which especially pays off in later scenes set among the verdant wilderness. One month free trial! A battle of wills and wits ensues: Parker attempts to play the hit men off one another, suggesting to Braddock that Myron’s inexperience makes him unreliable and then planting the notion with Myron that Braddock is losing his nerve. All 10 films come with commentary tracks from Tom Mes, who literally wrote the book on Tsukamoto’s films: 2005’s Iron Man: The Cinema of Shinya Tsukamoto. Making its 4K UHD debut, Daughters of Darkness gets a significant facelift from Blue Underground alongside a smattering of new extras. But most of them look pretty good, and the new interviews and reenactments are decent, though skin tones are a bit washed out and compression artifacts are noticeable in the backgrounds of the interviews. In that sense, Ellsberg’s confessions only take the film so far, and during the final sequence the narrative hits an emotional bog. As the characters near the French border, Parker recounts the legend of Roland and Olivier making their suicidal stand against the Saracens during the Battle of Roncevaux Pass in the Pyrenees, which they are just then traversing. But Furie and cinematographer Otto Heller had other ideas, making a highly stylized, moody, and deliberately paced spy thriller that strives for an artful deconstruction of the Bond-iverse. Reviewed in the United States on August 16, 2011. If you have any questions related to the pricing and/or discount offered in a particular listing, please contact the seller for that listing. The first of two commentary tracks consists of a newly recorded and lively discussion between film historians Troy Howarth and Daniel Kremer, who profess their fondness for the film and make a compelling case for the value of director Sidney J. Furie’s lesser known work, like Leather Boys. In Requiem for a Dream, there’s nothing going on but style, and ultimately, that just isn’t enough. There is allot of political passion and deep conscience of the man who revealed what is the truth. The price may be the seller's own price elsewhere or another seller's price. Now Kidd occupies the judge’s chair, gun rather than gavel in hand. The image here can be a bit murky and soft on occasion, especially in interior shots, which is admittedly at least partially in keeping with the film’s aesthetic. Learn more about the program. Like many postwar noirs, The Gunfighter is about a man who already knows he’s a ghost. 3. Two superb new supplements discuss the careers of director Henry King and editor Barbara McLean. The film’s conclusion suggests that Parker has attained his hard-won resignation only by envisioning a timeline. Reviewed in the United States on September 19, 2014. Reviewed in the United States on January 25, 2018. How To Play Billiards, Long Bones, As scripted by Elmore Leonard, the storyline involves a posse, led by wealthy and ruthless landowner Frank Harlan (Robert Duvall), who recruit Kidd to track down renegade bandito and wannabe revolutionary land reformer Luis Chama (John Saxon). When his death is still remote, set for a certain day, and expected to come in a certain manner, he remains calm. The Gunfighter is highly critical of the young guns looking to bring down Ringo, while the protagonist himself, who once lived this sort of life, is uncriticized and unexamined—accepted by the filmmakers wholly as a doomed member of the reformed. For another, he attempts to live his life according to the implications and complications suggested by these books. He’s a solitary and regretful man in his mid-30s and carries the weight of his reputation in his anguished angular frame. Your recently viewed items and featured recommendations, Select the department you want to search in, + $18.13 Shipping & Import Fees Deposit to Czech Republic. Tetsuo: The Iron Man suggests the love child of a David Lynch and David Cronenberg film, combined with a little of Jan Švankmajer’s scrapheap stop-motion animation. Directors Judith Ehrlich and Rick Goldsmith attempt to construct these complexities into a narrative arc, showing Ellsberg’s ideological transition in temporal stages. The look and feel of this scene—largely scoreless, shot in rich chiaroscuro, and patiently cut to grant weight and significance to each image—matches the languid spaciousness of many of the film’s finest moments, all of which suggest a director enamored of the folksy lifestyles on display, and deeply respectful of this fictional community’s sense of history. This movie is a great documentary about the life of an American Hero. Yet Ringo’s ironic decency isn’t without sentimentality. Mostly it means you’re more proficient at coldly blowing away your competition. This is among the most disturbing sequences of Eastwood’s career, as the town’s citizens watch the murder with paralyzed awe while shrouded in darkness as the whips crack into the air like gun blasts. Ratings and Reviews. Most of the extras here have been carried over from Blue Underground’s prior Blu-ray and DVD editions, including the self-serious and esoteric commentary featuring director Harry Kümel and a second with actor John Karlen and journalist David Del Valle that verges on proving Kümel’s apparent reservations about heterosexual masculinity entirely justified. The only thing that keeps Parasite just slightly below the tier of Bong’s best work, namely The Host and his underrated and similarly themed 2000 debut film, Barking Dogs Never Bite, is the overstuffed pile-up of incident that occurs toward the end. For a while, though, it almost is. But when things change, he breaks down. Multiple Formats, Color, NTSC, Widescreen, Closed-captioned, Peter Arnett, Ben Bagdikian, Ann Beeson, John Dean, Daniel Ellsberg, Judith Ehrlich, Lawrence Lerew, Michael Chandler, Rick Goldsmith, Most Dangerous Man In America: Daniel Ellsberg And The Pentagon Papers, I Remember Daniel Ellsberg and the Pentagon Papers, Reviewed in the United States on October 7, 2020, When I was in high school when the NY Times released the Pentagon papers, I would read the paper every morning. Autumn In New York Jazz Standards, In short, a revelation, especially for those who own Blue Underground’s 2011 Blu-ray, on which the black levels are so strong that they sometimes threaten to swallow up the rest of the screen with them. The Most Dangerous Man in America is the best one. There’s a 1988 episode of TV series Parkinson One to One featuring Stamp, who discusses his working-class Cockney roots, finding fame, becoming the face of 1960s Swinging London, and trying to put the moves on Rita Hayworth. Where most of Tsukamoto’s earlier films had been concerned with acquiring self-knowledge through the process of transformation, 2004’s Vital explores techniques of stripping away as a means to wisdom and existential acceptance. Nastasha Romanenko, My Life As A Dog Summary, His 1998 feature-length debut, Pi, was stylish but empty; later, he would elevate The Fountain’s philosophical hooey through sheer operatic force of will and The Wrestler’s solid but rote script through an expressive and soulful appropriation of the Dardenne brothers’ close-up tracking shots. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers. Often fascinating and intuitive, the documentary’s subject matter never transcends the individual historians dishing out their obviously biased perspectives. But this is far from a comedic turn for Eastwood. --David Edelstein, New York MagazineGripping! Cast: Clint Eastwood, Robert Duvall, John Saxon, Don Stroud, Stella Garcia, James Wainwright, Paul Koslo, Gregory Walcott Director: John Sturges Screenwriter: Elmore Leonard Distributor: Kino Lorber Running Time: 88 min Rating: PG Year: 1972 Release Date: October 27, 2020 Buy: Video. It gives an in-depth account of US involvement in Vietnam from the time it was still a French colony to the moment the last US troop left that country. But Spanish police, who we’ve seen previously dogging the gangsters’ trail, intervene and corner him in a lamp store, chasing him down amid a myriad light fixtures. In the wake of the release of the Wikileaks Diaries and Logs, The Most Dangerous Man in America reminds us of the urgent need to speak truth to power, to the people, and to take a stand for what is right and decent, at any cost necessary. Sandcastle Metaphor, Fast, free delivery. Setting itself apart from other early Technicolor films that privileged pops of vibrant primary color, The Shepherd of the Hills is painted in delicate, earthy tones, giving the impression that we’re viewing its images through one of the bottles of illicit moonshine produced by its cantankerous central family, the Matthews clan.
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